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In 1969, Students for a Democratic Society (SDS), the largest radical student organization of the sixties, broke apart, a result both of the group’s own internal divisions and efforts by the FBI to head off the group from evolving beyond its “big tent” inclusiveness into a more disciplined, radical organization. A fuller understanding of this thinking and methodology matters for a new left aiming to avoid the bureau’s efforts at disruption in the twenty-first century.
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These discoveries, while adding to the historical record, also give a clearer picture of the thinking behind the FBI’s measures in their efforts to destroy the Left. Second, bureau informant William O’Neal, who had garnered a leading position in the Chicago chapter, was a far more vital resource - beyond complicity in the murder of Fred Hampton - than has been understood.
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First, the FBI counterintelligence operations against the Chicago BPP were particularly focused on sabotaging the group’s ability to join and work with other organizations. With this new information, two things come more clearly into focus. Along with this, the FBI, pursuant to a Freedom of Information request by Aaron Leonard, released another 490 pages on their employee, and handler of FBI informant and Black Panther William O’Neal, Special Agent Roy Martin Mitchell. Since then, we have obtained 433 pages of the FBI’s official “COINTELPRO” files on the Chicago Black Panther Party (BPP). In our previous Jacobin article, we documented the bureau’s efforts specifically aimed at Hampton and stressed the need for more information to better understand the circumstances surrounding his murder.
#FBI INFORMANT WILLIAM O NEAL MOVIE#
"Judas and the Black Messiah" kicks off the new year on a triumphant high that has the probing intelligence and passionate heart to take its place as a new movie classic.The release of Judas and the Black Messiah has once again put the spotlight on the Chicago police and the FBI’s culpability in the murder of Fred Hampton, a rising leader in the Black Panther Party (BPP) in the pivotal year of 1969. King doesn't hide the moral compromises that invade the world of "Judas and the Black Messiah." But his brilliant and lasting achievement is to demonstrate how the truth of Chairman Fred Hampton, even after half a century, still has the power to ring out and inspire a new generation caught up in the battle for Black Lives Matter. Even Mitchell, appalled at Hoover's racism, feels a twinge when he offers O'Neal the equivalent of Judas's 30 pieces of silver, the keys to a garage he can run as a legit business, to basically sign Hampton's death warrant.ĭownload the all new "Popcorn With Peter Travers" podcasts on Apple Podcasts, Spotify, Tunein, Google Play Music and Stitcher. Stanfield shows how betrayal starts eating at O'Neal's conscience.
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He also sees Hampton form a rainbow coalition - as Barack Obama would later do in his role as a community organizer - to end poverty and foster education and self-determination in the Black community. O'Neal, now a security captain in Hampton's army, sees the chairman exhort his followers to "kill the pigs" when the police gun down members of his inner circle. King, producer Ryan Coogler and top-tier actors in roles large and small raise the film to the next level by refusing to paint in broad strokes.